Showing posts with label YA. Show all posts
Showing posts with label YA. Show all posts

#amwriting Pixelic

So, I’m setting aside The Unraveler for a few weeks. I just completed a major draft, and I need some time to get away from it all and refresh before delving back into the editing process. I have a few people reading it, so hopefully I’ll get some new feedback, too!

But I have other things to work on. Now, I #amwriting a few separate things:

First, I’ve been working on the first 3 chapters of the sequel book to The Unraveler. I am not planning on writing that entire book until I’ve sold the first, but I wanted to have the first few chapters done so that way I can add a preview chapter if my publisher desires it, and also so that way I know what direction I’m headed in if a sequel is greenlit. The Unraveler stands alone as a book, but I’d love to continue writing in that world if I can find an audience for it.

That said, I’ve been working on a series plan (in the case that sales allow me to continue it into a series) and a marketing plan with all of my specific ideas for how to move books. I’ve been doing a ton of research trying to figure out my market. I also have created a few unique and cheap strategies that I hope will set me apart. I’ve heard that agents often ask for marketing plans when taking on new clients, so I want to be prepared. I aim to impress!

The other awesome thing I’m working on is a new, new book. The title is…




(just a quick logo I cooked up for fun)

Pixelic is going to be about a superfamous all-girl rockband that is constantly running (touring) away from a spinster with the face of death and wooden hands. Well, one day, the guitarist for Pixelic quits, and they are forced to throw an unlikely fanboy named Wrobel (just a dude with a guitar that works at a crappy café) onto stage. His world changes forever as he learns the secrets to why Pixelic can do things with their music and lightshow that no other band has done before and why the tour never stops…

Pixelic 
I just wrote that blurb in the last five minutes, so it’s not refined and glossy-perfect yet… but I wanted to say what I’m working on anyway. Pixelic is a book I’m excited to do because I used to play in local bands. I love using poetry and insane visuals, and that is what my new book is at its core. Also, the monster I’ve created for it is one of the best I’ve ever dreamed up. No joke.

I’ve also accidentally been writing short stories and poetry. Not because I set out to, but because ideas have popped into my head and screamed at me to write them. I really should try and submit some to online magazines or something. I’m not huge into short stories, personally. I enjoy reading big thick books more than shorts. I’ve thought about writing an Unraveler prequel story to post to my blog and draw interest… but I feel like I’d never be able to write a prequel that would be as good as the actual full-length book. I don’t know.

Anyway, that’s it for what I #amwriting (which is an awesome tag to use on twitter, btw). Thanks for keeping up with me! Hit me up on twitter! @Oxyborb


Social Media Wrangling for YA Writers - Part 1 - What You Posted In 8th Grade

New writers (or any position where you’re selling your personality along with your product, for that matter) today have a very different issue to confront when jumping into what they hope will become a successful career: a life-long history of social media.

I’ll admit, kids today will have it even worse than I do now. I mean, the first computer I ever touched was an old Apple Macintosh machine that still used the floppy disk drive (the literally floppy disks, not the hard disks). Social media wasn’t really around until I was in high school, so I have no idea what kids today will have to deal with (I imagine they will be embarrassed about that Jonas Brothers fansite, though).

But, I began blogging in 8th grade, and I never stopped (imagine that kids today probably start waaaaaay younger!). I used the first social media sites when they came around. I created accounts on everything. I followed the trends.

I was a curious kid (I’m still a very explorative person, imo), and so I put myself out there. I said things hoping to prod new understanding out of the world. I wrote rants on the Internet that I definitely don’t still believe today. I used to debate hot issues with friends.


the facebook cowboy

So, I can say that there was a bunch of work involved in wrangling in all of my social media accounts to attempt to harmonize the image of the person I want to be known as versus all of the snapshots of the person I was each moment in my life.

I want to be a writer. I want to write books for teens and children. I want everyone to buy my books, no matter what their opinion of the Kardashians is. I want potential publishers and agents to consider me with a clean slate, a man with the ability to sell books to everyone and anyone.

I don’t want the public—potential readers of my works—to think that I am still the person I was in high school (nobody would). I wasn’t a bad kid, but everyone matures with age. I don’t want readers to think that whatever political idea I had a billion years ago should stand in the way of them picking my book off of the shelf and escaping into the fantasy world I’ve created.


quick aside: imagine future elections

Isn’t it true that when you were in second grade that you said on twitter that English class was for losers? You must be anti-educational reform!

I can see it now—future Presidential Debates, where they are scrutinized for the stuff they posted onto facebook when they were really young. We’ve never had to deal with that, since there were no social media websites way back when, but soon… We’ll have campaign commercials featuring Myspace profiles from the candidate’s elementary school years. Yikes. I can totally see people scanning for any snippet of opinion over a person’s Internet lifespan, just to tear them down. So, get it under control now!


the professional writer

I just think there comes a point where if a writer wants to get serious about jumping into the public eye, they need to furiously focus their messaging.

For political writers, perhaps they can get away with more divisive opinions. Gossip writers can spout off more random stuff about celebs. Critics can get away with bashing others.

For me, I want to write fiction for children. That means the parents have to like me—the whole package—and trust me with their kid’s attention. That means I can’t just say anything ever without understanding that kids will Google my name and see the other stuff I’ve said. I can’t have a massive amount of cursing (luckily, I’ve never had the dirtiest mouth). I can’t say crazy stuff without alienating potential readers.

That also means I can’t critique other books, because I want to create bonds with other writers. I see unpublished writer-hopefuls bashing other books in reviews on their blog all the time—it makes me cringe. If you’re reviewing books and you hope to be published, stop! You’re only making enemies by bashing others!

understanding evolves

But, that’s only half of it. I also have formulated new opinions on how we as a society can best grow together, and I don’t believe it is through impersonal Internet conversations/debates. I don’t regret anything I’ve written (I’m a better writer/thinker for it), and I don’t regret the conversations I’ve had (I’ve learned from people, especially those I’ve disagreed with).

I still have opinions, everyone does, but I think I’d rather talk in-person about them, rather than faceless facebook debating. Everyone has opinions—what we need more of is understanding.

Besides that, I just don’t have time for philosophical / political stuff anymore. I look at a recent controversy in the news, and I have this internal conversation: “Now, I could spend three hours reading this political article, thinking it through, writing a response, and then defending myself from the feedback, or…. I could spend the next three hours researching interesting stuff for my next novel, editing on my novel, or writing new words to my novel.” The choice is always clear to me.

“Jack of All Trades, Master of None”

I realized something about that little phrase: It’s true. If I wanted to become a moneymaking, professional novelist, I needed to master writing. Everything else needed to be put on the sidelines.

I think many artists have this problem. They like doing EVERYTHING EVER. Artists are big-brained people. Artists are the types of people who are the most easily distracted. Artists often crave variety. We see other art and want to try it. Dabble.

I love writing music, painting, drawing, sculpting, acting, directing, thinking about philosophy, and about everything else that has to do with art. I could jump from artistic genre to genre and never get bored… but I’d never master one that way.

Writing was the one thing I decided I could incorporate the most parts of my being, it was the one artistic project I could never strip from myself even if I wanted to. So, I focused. I picked writing and I pointed all the beams of light toward it.

sharpening the point

…and by focused, I meant I cut almost all of my hobbies besides writing. Every spare second I get, I write. Although, many of the other things I love are easily used along side of my writing—song writing has become poetic language for my prose, drawing is sketching character and critters for my novels, acting is me standing up and reciting the dialogue…

I am a writer. That simple sentence has become my most important sentence. Everything I have built, everything I am has been focused on that singular point. If it doesn’t fit that bill, it’s out.

I believe that is what it takes.


Thanks for reading, click here for a numbered list of specific things that I did / am still doing to wrangle in my social media. It’s sort of a companion piece to this post

If you've found this useful, please give me a +1 on Google Plus. It will help my search engine results. :-) 

Social Media Wrangling - Part 2 - The Checklist


This is everything I’ve been checking to make sure my social media is shiny and sparkling before I attempt to gain the public’s eye with my Young Adult novel. I wrote this list so that other writers might benefit from the work I’ve been doing for myself. I wrote a pretty extensive blog post aboutwhat I called Social Media Wrangling, which you can find by clicking on thissentence.

1. YouTube subscriptions:
-----People will see the list of people you’re subscribed to on YouTube, and they will think your list of subscriptions represents your opinions. Are you subscribed to FartDancer380? People will think you enjoy his work.

2. Who you follow on Twitter:
-----Same with YouTube. If you’re following ILovePot_29, people will think you are a pothead (FYI, I’ve never done a non-medical drug in my life, but I wanted to use that example). Will parents want their children reading books from a person they think is a pothead? No!

3. Facebook groups/pages/Notes Application.

4. Google Plus pages/communities/posts.

5. Tumblr, Myspace, Blogger, Livejournal, Xanga, etc.
-----Find those blog posts that you wouldn’t want your mother to read, and delete them. Also, for YA writers like myself, consider axing out any vulgar language.

6. Google all of the screen names you’ve ever used.
-----Find out where you’ve made a profile. If you’ve got an account on an embarrassing website, it might be time to delete it. Yes, that might mean deleting your My Little Brony account, the Miley Cyrus Forever Fanclub blog, or even that good old Club Penguin profile. Look for these smaller, fansites. This is where embarrassment lives forever, lol.

7. Check the YouTube videos you’ve personally uploaded.
-----Anything you’ve said that is not apart of your authorial message? Have you vlogged about anything so overtly political that it would keep someone from purchasing your book?

8. Remember, especially for YA-childrens-teen authors, kids will see the stuff you write online when they Google your name.

-----If you write Harry Potter but then write something awful online, kids will be listening/mirroring your awfulness.

9. Watch your vulgarity.
-----Nobody buys a book for a kid from a potty mouth.

10. Check all of your Tweets.
-----You might consider privatizing or deleting your old profile and making an entirely new one once you’re a published author. However, if you’re under 100 tweets, you might be able to go back and delete the bad ones.

11. Remember, just because you’ve privatized social media, doesn’t make it private.
-----Truth. If you become a famous author, your friends might sell access to your personal facebook profile. If over a hundred people can see what you’ve made “private,” then it’s not really all that private. Making your profile for “Friends only” is not keeping your facebook truly private.

12. Reviews/critiques of other novels and stories.

-----Your Amazon account. Your Goodreads. Your blog. Have you ever slammed another author / publishing house / etc. over a particular book you didn’t like? Have you gone on Amazon and given 1 star to another author’s work? If so, what do you think that more-famous-than-you author is going to do to your book? Do you think they’re going to give you a positive cover-quote? If you meet them at a party, will they kindly help you promote your book? Will a publishing house that you’ve deeply criticized publish your book? No, no, no… If you’re a aiming to become a known creator, you cannot start out by being a critic. You need friends, not enemies. Sure, Stephen King can say whatever he wants about whoever, but you? You need whoever you can keep! Be positive. Keep your positive reviews! Delete your negativity! Unless you’re famous already, being a downer is not going to make you any friends!

13. Check your favorites lists and quotes.
-----Do you want the public to know about your passion for the movie, “Jack’s Drug-Induced Adventure Through Stonerland?” No? Then take it out of your favorite movies list. Your favorites list indicates something about you. Check everything you’ve “liked” on facebook. Look at your interests page. Delete the stupid stuff. Check your quotes, too. Don’t leave terrible quotes you and your fraternity brothers made up one drunken night. Don’t quote world leaders that will incite anger because you didn’t know that they were evil—know who the people who quote are and the context surrounding the quote. Just because someone says one good thing does not mean that that person was a good person.

14. Check the other things you have written and published online.
-----If you’ve written erotica in the past (I have not, it’s just an example), you’re going to have to deal with that before becoming a children’s writer. Same goes for weird fandom lit.

15. Check your browser’s bookmarks.
-----Bookmarks are a great way to find a bunch of embarrassing things you’ve left on the Net.

16. Check your OKCupid and other dating website accounts.

Thank you for reading. I hope this helps you reach your goals. I will be adding to this list as I think of more things I can do to improve it. If you have more ideas, PLEASE share them in the comments. I will add your ideas and link to your blog/twitter.


Click here for a companion blog post about social media wrangling.




If you've found this useful, please give me a +1 on Google Plus. It will help my search engine results. :-)


I don’t understand the appeal of FPP (first-person, present tense).


I’ve just started reading a new book, and it uses this FPP style that is apparently a trending fad in teen fiction novel writing. I have to say this: it’s hard to read this way. I don’t know who or why anyone would enjoy this perspective.

It’s my understanding that books for children today have to be snappy and action-packed. We live in a world where YouTube is too long to watch; we need 7 (or less) second long Vines. Calling on the phone takes too long; we simply text. You can hardly find a website or blog that doesn’t use the “Top 10” formatting, highlighting bullet points over the actual meat of the article, to allow for ease of skimming for points rather than proofs.

This is our society today. We have no attention spans. I get that.

So, perhaps it’s arguable that first-person present is a culmination of that. Cut out the past-clinging words. Everything happens RIGHT NOW! Chapters are short. Action is heavy. Dialogue is simple (or non-existent).  

But reading that way is awful, friends. Simply awful.

In some ways, perhaps I feel this way because of it’s not what I’m used to. I mean, you’re looking at a guy who does a bi-yearly read of the Lord of the Rings. I love fiction that allows for pauses, description, and dialogue that carries a depth of interesting logic.

But, the logic of a book holds a place in my head. Why was this book written? Who is the narrator? Who is the narrator trying to reach by the narration? When was this narrated? These are questions that fill my head when I read, and FPP really boggles that up for me. Is the narrator of a FPP holding a flipcam up to their heads as they progress through the story? Is that why it’s being told as if it is happening right now? I suppose the trend of FPP in YA fiction and the increasing popularity of vlogs (video blogs) have a connection. FPP sort of reads like a vlog, doesn’t it? Only, when the narrator isn’t constantly holding a camera—say it’s set in medieval times—I feel pulled out of the text. The Hunger Games works in FPP, I’ll admit. But HG is a reality TV show narrative. It makes sense to have a FPP when the cameras are literally always on Katniss. There’s a logic to that. However, most other FPP narratives I’ve noticed don’t work whatsoever. If your FPP is set in a fantastic world, a farm, or a desolation without technology, then I would bet 9 times out of 10 that FPP is going to be a jarring way to experience your world.

The last thing I want to say about FPP is that it’s sort of a false way to make a book snappy and intense. I believe that intensity should come from what sort of events take place in a novel, not what perspective they are told in. If I’m feeling tense by reading about a character who is baking an apple pie, then there’s something wrong with how the story is being told. The best fiction knows how to create tension, yet give the reader places to breathe. FPP, by inception, is always intense. Everything happens NOW. Baking apple pie becomes something not warm and soul-refreshing, but snappy and jarring. FPP doesn’t allow the reader to take in the moments where I should be allowed to enjoy the surroundings, the environment, the character’s thoughts. FPP too often pushes past any would-be tender moment to get to the next action sequence.

EDIT: I just came up with a new observation.
Using past-tense creates a natural reading identifier between prose and dialogue, since people speak from the first-person and in the tense of their moment. I've noticed myself eying the prose as dialogue while reading in the FPP, and I realized its because when the book's perspective is FPP, the natural indicator of dialogue is missing. This goes for gender tags, too. FPP limits being able to easily identify characters using the "he says" "she says" because the narrator uses "I say." This is especially confusing in works where there is more than one narrator.

Thoughts? Tell me what you think in the comments!